Virtuelle Vortragsreihe zur Science Fiction
Dies ist ein Gastbeitrag für den Blog des eLearning-Projekts der RWTH Aachen, der ursprünglich hier erschien.
An Introduction to Contemporary Canadian Science Fiction
| Veranstalter | Lars Schmeink |
| Thema | An Introduction to Contemporary Canadian Science Fiction |
| Art der Veranstaltung | Seminar Ib |
| Veranstaltungsnummer | 53-563 |
| Zeit | ONLINE KURS VIA VIRTUAL CANADIAN STUDIES |
| Raum | ILIAS ONLINE PLATFORM |
| Beginn | 18. Oktober 2011 / 04. April 2012 |
Seminar am Institut für Anglistik und Amerikanistik der Universität Hamburg und via Virtual Canadian Studies im Wintersemester 2011 und Sommersemester 2012Weiterlesen
Neil Stephenson: The Mongoliad
Neal Stephenson’s latest book project
Neal Stephenson, Greg Bear et al. The Mongoliad. Subutai Corporation. Sep 2010. Web. Dec 2011.
Media Review – published in SFRA Review #297 (2011).Weiterlesen
Nine Inch Nails – Year Zero
Nine Inch Nails. Year Zero. Interscope. Halo 24. 2007.
„Year Zero Case Study“. 42Entertainment.com. 01 Oct 2010.
Media Review – published in SFRA Review 295 (2011)
Rätselhafte Kunst – Zum Verhältnis von Kreativität, Kommerz und Autorschaft
Everything, today, is to some extent the reflection of something else.
William Gibson, Pattern Recognition
„Commodification will soon follow identification“ – Wechselwirkungen von Kunst und Kommerz in William Gibsons Pattern Recognition und Trent Reznors Year Zero
WeiterlesenWelcome to convergence culture, where old and new media collide, where grassroots and corporate media intersect, where the power of the media producer and the power of the media consumer interact in unpredictable ways.
Henry Jenkins
Das Ende des Menschen? Biopolitik im dystopischen Roman
“Biomass?” Da5id says.
“A body of living stuff. It’s an ecology term. If you take an acre of rain forest or a cubic mile of ocean or a square block of Compton and strain out all the nonliving stuff – dirt and water – you get the biomass.” […]
“Industry expression,” Hiro says. “The Industry feeds off the human biomass of America. Like a whale straining krill from the sea.” Neal Stephenson [1]