| Thema | An Virtual Introduction to Science Fiction |
| Veranstaltung | Seminar Ib |
| Nummer | 53-563 |
| Zeit | Dienstag 18-20 Uhr |
| Raum | Hörsaal K, ESA 1 |
| Beginn | 03. April 2012 |
Seminar am Institut für Anglistik und Amerikanistik der Universität Hamburg, Sommersemester 2012Weiterlesen
Depending on how broad a definition is used, one may argue that the ideas of science fiction (sf) are as old as human storytelling. Tales of travelling to the stars can for example be found among poets of the Classic era (Lucian’s True History of 2nd century origin), while visions of a better world were especially popular during the Renaissance (Thomas More’s Utopia of 1516 naming that related genre). Weiterlesen
There is virtually no review of Splice (Canada 2009) that does not at some point mention Frankenstein in order to guide viewer expectations of the film and clearly position it within the horror segment. Weiterlesen
Dies ist ein Gastbeitrag für den Blog des eLearning-Projekts der RWTH Aachen, der ursprünglich hier erschien.
| Veranstalter | Lars Schmeink |
| Thema | An Introduction to Contemporary Canadian Science Fiction |
| Art der Veranstaltung | Seminar Ib |
| Veranstaltungsnummer | 53-563 |
| Zeit | ONLINE KURS VIA VIRTUAL CANADIAN STUDIES |
| Raum | ILIAS ONLINE PLATFORM |
| Beginn | 18. Oktober 2011 / 04. April 2012 |
Seminar am Institut für Anglistik und Amerikanistik der Universität Hamburg und via Virtual Canadian Studies im Wintersemester 2011 und Sommersemester 2012Weiterlesen
Neal Stephenson’s latest book project
Neal Stephenson, Greg Bear et al. The Mongoliad. Subutai Corporation. Sep 2010. Web. Dec 2011.
Media Review – published in SFRA Review #297 (2011).Weiterlesen
Nine Inch Nails. Year Zero. Interscope. Halo 24. 2007.
„Year Zero Case Study“. 42Entertainment.com. 01 Oct 2010.
Media Review – published in SFRA Review 295 (2011)
Everything, today, is to some extent the reflection of something else.
William Gibson, Pattern Recognition
WeiterlesenWelcome to convergence culture, where old and new media collide, where grassroots and corporate media intersect, where the power of the media producer and the power of the media consumer interact in unpredictable ways.
Henry Jenkins
“Biomass?” Da5id says.
“A body of living stuff. It’s an ecology term. If you take an acre of rain forest or a cubic mile of ocean or a square block of Compton and strain out all the nonliving stuff – dirt and water – you get the biomass.” […]
“Industry expression,” Hiro says. “The Industry feeds off the human biomass of America. Like a whale straining krill from the sea.” Neal Stephenson [1]